{"id":20,"date":"2023-07-11T08:59:31","date_gmt":"2023-07-11T08:59:31","guid":{"rendered":"https:\/\/tailinhares.com\/?page_id=20"},"modified":"2024-07-31T10:44:00","modified_gmt":"2024-07-31T10:44:00","slug":"about","status":"publish","type":"page","link":"https:\/\/tailinhares.com\/index.php\/about\/","title":{"rendered":"About"},"content":{"rendered":"\n
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Taiane Linhares is a Brazilian artist based in Berlin working on the topics of ecology, technology, and decoloniality. Her artistic work explores the limits of systems of racialization, modern biology taxonomy, and artificial intelligence. In the short film \u201cMixed Race\u201d (Parda, 2019) she investigates racial discourses in Brazil, in a narrative that combines elements of factual documentary making and fiction, thereby challenging genre conventions. In 2021, she released the creative coding project \u201cnamed after Men\u201d, a database of plants named after male botanists that sheds light on the patriarchal and colonial origins of scientific naming practices. Currently, she explores forms of knowledge creation with<\/em> non-human entities using writing, painting, embroidering, and filmmaking as mediums.<\/p>\n\n\n\n

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Education<\/h3>\n\n\n\n

2021, Digital Media & Technology<\/em>, Bachelor of Sciences, Technische Universit\u00e4t Berlin, Germany<\/p>\n\n\n\n

2011, Media and Communication Studies<\/em>, Master Degree, Universidade Federal do Rio de Janeiro, Brazil<\/p>\n\n\n\n

2009, Communication Studies<\/em>, Bachelor of Arts, Universidade Federal do Rio de Janeiro, Brazil<\/p>\n\n\n\n

Articles<\/h3>\n\n\n\n

2023, The stories Coco de Macuco tells us<\/em>, Voices Magazine, Link<\/a>.<\/p>\n\n\n\n

2023, Parda: of roots, curls and race – A Brazilian\u2019s entangled journey to Black awareness in a whitewashed world<\/em>, Futuress.org, Link<\/a>.<\/p>\n\n\n\n

2022, Named after Men \u2013 colonial exploitation and egocentric bragging at the roots of the botanical sciences<\/em>, Futuress.org, Link<\/a>.<\/p>\n\n\n\n

Selected Exhibitions<\/h3>\n\n\n\n

2024, Plant Fever<\/em> (group exhibition), Pillnitz Palace and Park, Dresden, Germany<\/p>\n\n\n\n

2023, Pleasure Garden<\/em> (group exhibition), Pillnitz Palace and Park, Dresden, Germany<\/p>\n\n\n\n

2022, Blacknuss – technologies of joy, care and intimacy<\/em> (group exhibition), Kampnagel, Hamburg, Germany<\/p>\n\n\n\n

2021, Soft Encounters<\/em> (group exhibition), Floating University, Berlin, Germany<\/p>\n\n\n\n

Filmography<\/h3>\n\n\n\n

2019, Parda<\/em>, director (Mixed Race, 29 min), Link<\/a>.<\/p>\n\n\n\n

2014, Tear<\/em>, director (Loom, 15 min), Link<\/a>.<\/p>\n\n\n\n

Film Festival Screenings<\/h3>\n\n\n\n

2020, Baturu Cultural Festival, Beijing, Shanghai, and Chengdu, China<\/p>\n\n\n\n

2020, Equis Film Festival, Quito, Ecuador<\/p>\n\n\n\n

2020, Porto Femme, Porto, Portugal<\/p>\n\n\n\n

2020, Panoramica, Stockholm, Sweden<\/p>\n\n\n\n

2020, Berlin Feminist Film Festival, Berlin, Germany<\/p>\n\n\n\n

2019, Cinema\u00edssi, Helsinki, Finland<\/p>\n\n\n\n

2019, Mostra SESC, all over Brazil<\/p>\n\n\n\n

Grants\/ Residencies<\/h3>\n\n\n\n

2024, Becoming Plant – The New Weird Divine<\/em>, Berlin Art Institute, Berlin, Germany<\/p>\n\n\n\n

2023, Curating Change – Design Summer School<\/em>, Pillnitz Palace and Park, Dresden, Germany<\/p>\n\n\n\n

2021, Art Project Financing, Stiftung Kunstfonds, Germany<\/p>\n\n\n\n

2019, Film Festival Participation Support, German Films, Germany<\/p>\n","protected":false},"excerpt":{"rendered":"

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